The Anarkali Sutra

It seems that you can’t walk for 30 seconds nowadays without running into an anarkali kurta, whether it’s on the college-student-packed roads of Colaba, the designer boutiques of Palladium, the blingy Delhi weddings or even the international catwalks. What is it about this loose, umbrella-shaped tunic that has so caught the world’s fancy?

Let’s start from the very beginning

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Madhubala as Anarkali in Mughal-e-Azam

It began in the Mughal period – with an A-line kurta (long tunic) that had a clinched waistline and numerous kalis (flared panels) to create dazzling drama when the nautch girls (dancers) took centrestage. As their feet moved and whirled in a tantalizing rhythm, the glittering dresses flared out and seduced with their own intriguing sensuality… here showing a brief glimpse of a delicately sculpted leg, there reaching out and moving away from arduous admirers.

Then came Anarkali – that most seductive of Indian seductresses, who danced her way into the heart of prince Salim (later to become Emperor Jahangir), leading him to stage a revolt against his father, the Emperor Akbar. This enthralling slave-girl-turned-court-dancer was eventually buried alive by Akbar, who like all good emperors, did not like those who defied his diktats. But not before she had left her own indelible mark on fashion (and love stories) with her signature dancing costume – the Mughal A-line kurta paired with intricately embroidered bodices that heightened its theatrical effect. Today, more than 400 years later, the anarkali kurta continues to beguile, charm and wend its way through the world.

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Anarkali kurtas have been a staple of Bollywood

Back to today

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Aishwarya Rai in an anarkali kurta

When Mehr Rampal wore that gorgeous yellow-gold anarkali on the Cannes red carpet, the world watched in awe. And the demand for anarkali kurtas in the Indian market went up manifold – I myself spent two days hunting for the perfect flare, courtesy mom, who wanted one “just because!”.

Which brings up the question of what exactly makes up a good anarkali? Ideally, according to the purveyors of contemporary Indian style, it’s a long kurta made up of two parts: The upper portion is snug empire waist bodice; the lower part is paneled and flares out like an umbrella. The bodice is heavily embellished, the bottom is highlighted with a beautiful border and the sleeves are tight. It is worn with a churidar – a fitted trouser-like bottom that perfectly offsets the voluminous top.

In the hands of a skilled designer like Rohit Bal (who dressed Mehr for Cannes) it can go all the way from uber-glam and seductive to elegant and semi-casual. And while the original Anarkali wore only silks and brocades, today you can do just as well with georgette, crepe, chiffon, zardozi and mirror work. An added bonus? It’s perfect for adding a hefty dose of Indian grandeur to the wardrobe of those who are not really used to wearing the more cumbersome saris!

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Preity Zintas channels the legendary Mughal dancers in an anarkali kurta


Cannes 2012: Aishwarya Rai disappoints again (and it’s nothing to do with the weight gain!)

Sigh! Remember how I keep telling you that Aishwarya Rai is somehow allergic to Cannes and instantly loses any sense of style the second she steps out on that hallowed red carpet? Well! My deepest fears have been reinforced for the 11th year in a row. After a moment of hope when the iconic Bollywood actress was snapped in a chic Angelo Katsapis maxi-dress during the afternoon, it’s back to square zero at the just-concluded L’Oreal Paris-amfAR (The Foundation for AIDS Research) dinner.

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For some strange reason, Aishwarya decided to look like a stern politician rather than the glamorous Bollywood star that she is supposed to be. And nope, it has nothing to do with the post-baby weight gain… the blame lies solely on the rigid silhouette and unflatteringly high neck of her jacket-style blouse. This, coupled with the heavy fabric and long sleeves make her seem super-severe and far, far older than her age. The look is not tacky (unlike the past), it just makes her look really dreary and is supremely B.O.R.I.N.G. Which in itself is a crime against style at a distinctly cheery place like Cannes.

Aishwarya, Aishwarya Rai, anarkali, Beauty, Bollywood, Cannes, clothes, fashion, India, kurta, pregnancy, red carpet, saree, Sari, wardrobe, weightI can understand the need to cover up Aishwarya’s post-pregnancy bulges (in fact, this jacket-blouse and sari drape actually makes her tummy look bigger) but as the afternoon’s dress showed, this could have been better achieved with a flowing gown or one of those much-anticipated anarkali kurtas.

Heck, this is one woman who has always looked gorgeous in a sari – all that she needed was a shorter blouse with cap sleeves and a boat neck or V-shaped cleavage. And a decent hairdresser – what’s with the super-tight up-do? How many times do I need to explain that you look far prettier (and younger and slimmer) with loose, flowy, touchable hair Aish? Why in the world would you do this to yourself and to us? Why, why, why, why, WHY?

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Better options?

Breaking News: Aishwarya Rai’s first appearance at Cannes 2012

So, now I understand what makes this woman legendary – it’s the ability to shock you out of any complacency or pre-conceived notions. Consider this:

1. Just when the fashion world had written Aishwarya Rai Bachchan off for being “nothing but a severely out-of-shape mom”, here she pops up at Cannes 2012, several kilos lighter and with a gorgeous glow that even cynics like me can’t fault.

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Aishwarya Rai at Cannes 2012

2. Given her post-pregnancy weight gain, every single person across the globe was dead sure she had no option but to drape herself in an all-concealing sari or voluminous anarkali kurta. Ms. Rai, on the other hand, shows up in a gorgeous Angelo Katsapis dress that drapes sinuously across her body, looking both sophisticate and on-trend.

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Aishwarya Rai at Cannes 2012

3. While her previous Cannes appearances have ventured deep into disaster territory on both fashion and makeup (also, remember that ghastly hair?) front, this one time when we were expecting unmitigated horror, she goes soft, flowing locks that are perfect for visually reducing the still slightly face and pretty, natural-looking makeup with just the right hint of shimmer to catch the light and make everything seem gorgeous!

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Aishwarya Rai at Cannes 2012

Now, I can’t wait for all those who criticised Aish on her weight loss to start speculating about extreme measures taken to lose said face. Good show, Ms. Rai Bachchan!

What will Aishwarya Rai wear at Cannes 2012?

Finally it’s D-Day. The day when Aishwarya Rai will put an end to all the speculation surrounding her wardrobe for Cannes 2012. The lady has had more than her fair share of fashion and beauty faux pas at this venue – somehow, there is just something about this film festival that seems to bring out the worst in her. And this time there is the added worry of all that excess post-pregnancy weight. So, all eyes are on Aish and it would need some serious sartorial savvy (and honestly, oodles of courage) for her to walk the red carpet despite not looking picture-perfect at the moment. And for once in my life, I love her for neither hiding away at home nor feeling the need to take drastic weight loss measures that could be plain dangerous for both mom and baby!

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Aishwarya in an anarkali kurta

Insider info says that Aishwarya will be forsaking the international couture gowns in favour of traditional Indian attire this year. It’s strongly believed that she will be wearing a cream-coloured sari with antique gold chikankari (a delicate, traditional embroidery) designed by Abu Jani and Sandeep Khosla. The famed Indian designer duo has also packed her wardrobe with classic kurtas (Indian tunic tops), including several in the anarkali style, which has become something of a uniform for her post the baby.

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Aishwarya rocks a sari!

These do seem to be the most reasonable choices at the moment, given that both saris and anarkali kurtas are perfect for hiding all flaws and efficiently camouflaging extra kilos on the body. And for those who believe that a sari is necessarily demure and old fashioned, let me tell you that it can be the most sexy, seductive and modern outfit possible. The secret lies in the way you drape it!

Unfortunately, though, in the past Aishwarya has been at her very worst when she has attempted traditional Indian attire at Cannes. Shocking colours that literally hurt the eyes, seriously OTT jewellery, unflattering silhouettes, ultra-heavy fabrics that would be better suited for curtains… you get the idea.

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Aishwarya's past forays with Indian dresses at Cannes (now you get why I am terrified?)

Through the course of various shoots with Aishwarya, I have realised that she is one person who looks good with simple silhouettes, minimalist accessories, unfussy makeup and relaxed hairstyles. She is a natural beauty and layers of embellishments just mess up her appearance. Sigh! Let’s see what tomorrow brings. Please do delight us Aish… an entire country is collectively keeping its fingers tightly crossed!