Bizarre (but super-effective) backstage makeup secrets

Mixing black and brown mascara to create the most luscious lashes, using hairspray to define the brows, applying blush under foundation for that radiant, lit-from-within flush…  these are just a few of the life-changing makeup tricks I’ve picked up while hanging out backstage during fashion weeks across the world. And the biggest revelation has been that most makeup artists do not carry every single item to cover every single situation on hand. Many, in fact, work with less than what I have sitting on my own dressing table. The trick lies in knowing how to squeeze the last drop of benefit from every single pot, pan and bottle. So, read on for more surprising backstage makeup secrets that are totally relevant in the real world.

Face Facts

1. Before starting the backstage makeup, many artists mist the face with rosewater spray. This gives the skin a fresh glow and helps calm down any irritation.

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2. For a flawless effect, mix concealer with moisturiser in a ratio of 1:3. You can use it around the eyes, the nose – anywhere. It blends easily and makes the skin look perfect.

3. Out of concealer? Mix a bit of translucent powder with liquid foundation to thicken it and make the texture more opaque.

4. To give skin a beautiful, natural looking luminosity, most backstage makeup artists apply highlighter before foundation.

5. Similarly, applying a cream blush under tinted moisturiser or liquid foundation gives cheeks that beautiful, flushed, lit-from-within glow. Just remember to dab (rather than stroke) on the foundation to prevent the blush from rubbing off.

6. Before dabbing concealer on your skin, warm it in the palm of your hand – the heat will soften the texture, allowing for smoother coverage.

7. Powder is the only makeup applied with a downward motion – you do this to smooth down facial hairs.

Blush Well

8. This one comes straight from Olivier Echaudemaison, Makeup Design Director for Guerlain: For a sun-kissed look, take a bronzer that’s one shade darker than your natural skin tone (never go darker than this!) and draw the number ’3′ on both sides of the face – starting with the forehead, then the cheeks and finally the chin.

9. Blush should hit the middle of your cheekbone: If placed higher, it will make your eyes appear red; if placed too low, it will make you look tired.

10. To fake sun-kissed skin, backstage makeup artists apply bronzer, then follow with a rosy blush on the apples of the cheeks. The reason? Cheeks naturally get a pink flush when the skin is tan.

11. The right shade of liquid highlighter leaves only a glow on the skin, rather than depositing colour. As a general rule, this means silvery pink for fair skin, golden tints for olive skin and bronze highlighter for dark skin.

12. For the most natural glow, smile and dab liquid highlighter just above the apples of the cheeks, blending it upwards and outwards, towards the temples in the shape of a Nike swoosh.

Lash Rites

13. This one’s a favourite of Tom Pecheux, Creative Makeup Director at Estée Lauder: Use brown mascara on your lower lashes rather than black, even if you use black on the top lashes. This gives the lashes a good contrast and opens up the eyes. Also, too much black mascara on the bottom “can just drag the eye down”.

backstage-beauty-214. Here’s another backstage makeup trick that Pecheux uses almost every time: To boost the intensity of black mascara, stroke a bit of brown mascara on the inner and outer corners of the upper lashes. This brings out the smaller lashes and makes them appear more lush without overwhelming the eyes.

15. Celebrity makeup artist Hannah Murray is famous for the spiky, Twiggy-inspired lash look that’s so on-trend right now. Her backstage makeup secret? Curl first, then immediately apply waterproof mascara as it holds lashes up much better than a regular formula. Follow with 2-3 coats of black mascara, wiggling the brush through. Murray prefers a slightly dried out mascara… “I leave the lid off for a day or two to get the right texture – it makes all the difference.”

16. Want to make lashes even more lush? Use 2 different mascaras: apply a fat-brush volumizing formula first, then a lengthening formula on top.

Eye Openers

17. Makeup artist Laura Mercier calls this one “the best trick I ever learned”: To create a smooth line along the upper lashes, start at the outer corner and draw a series of dashes with an eye pencil, as close to the lashes as possible. Then connect the marks. Simple!

18. To cover dark under-eye circles, use the ring finger  to pat concealer in place; this is the weakest finger, so you won’t tug or pull the skin. To get the best coverage, place 3 dots of concealer from the inner corner to the middle of your eye, then pat (don’t rub) them to blend.

19. Deepen the colour of any powder eye shadow by dipping a small, firm brush in water before swiping it over the shade. It intensifies the colour and also gives it more staying power.

20. Similarly, if you want to tone down bright eyeshadow after application, stroke a colourless loose powder over the eye with a rounded fluffy brush. This ”soft focus” will give you a good pop of colour without it being too strong.

21. Backstage makeup artists brighten their model’s eyes with a dot of pale gold cream shadow at the inner corners to make them look wide open and beautiful.

22. For an easy smoky eye, rub a chubby kohl pencil on the back of your hand to warm it up, then dot it along the upper and lower lashes (don’t worry about making a straight line). Dip a cotton swab in eye cream and use it to smudge the lines.

High Browed

23. The best eyebrows are not the exact same colour and strength throughout – they start light, become dark in the middle (arch) and then become lighter again at the end.

24. Use hairspray rather then gel to keep unruly eyebrows in check. Spray a strong hold spray on to a disposable mascara wand and comb through the brows. It’s much finer and will last all day.

Mighty Mouth

25. Nude lips were a prominent ingredient at 3.1 Phillip Lim and backstage makeup artist Lisa Butler traced them with an eyebrow pencil rather than a lip liner. This created a more distinct contour and kept them from looking flat.

backstage-beauty-326. Make an opaque, pigmented lip gloss last longer by layering lip pencil underneath it (all over your mouth) as a base. Even if the shine of the gloss disappears over the hours, you’ll still have the colour.

27. Another Tom Pecheux favourite: To give the illusion of bee-stung lips, outline the lips with a pale gloss, then colour them in with a darker gloss. Over time, the deeper shade will fade into the paler one, making lips look full and sensual.

28. To apply a dark lipstick, begin by lightly dabbing the colour on to your lip (with your finger) to create a stain. Then build up with a matching liner, followed by the lipstick itself. This will layer and fix the base, giving even coverage and the perfect pout.

29. Turn a traditional lipstick into a lip stain by applying three coats of a deep shade, leaving it on for a few minutes, and blotting it with a tissue so only the pigment remains.

30. To make lip gloss last longer than 30 seconds, backstage makeup artists blot the mouth with a tissue or a dry cotton swab first: the wetter the mouth, the less likely the gloss will stick.

What’s your top makeup secret? I would love to know!


Ladurée’s Fall 2012 Makeup Collection

Yes, yes, I know that Les Merveilleuses de Ladurée Fall 2012 Makeup Collection is still only available in Japan (us unfortunate souls in the rest of the world can order it on ichibankao… for a 30% markup!) but it is such an utterly gorgeous and game-changing range that you can’t not take a look!

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Among the new products for Fall 2012 are these beautiful Eye Colour palettes that come in a line up of seven combinations, including two limited editions (refill ¥4200, case with applicator ¥1575); and five Lip Rouge shades (¥4410) that are the perfect combination of delectable creaminess and slick pigmentation. And don’t even get me started on the packaging – all antique gold and creamy white and so utterly princessy that it deserves a spotlight all of its own!

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My heart, however, is once again sold on the three new limited edition shades of the Pressed Cheek Colour (¥5565), which comes in the form of a cameo blush. Problem is that even if I did get my hands on one of these, there is no way I would be able to spoil it’s swoon-worthy prettiness by actually using it!

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Bottom line: If you know anyone, or know anyone who knows anyone who knows anyone likely to go to Japan, BEG them to bring these home!

Les Essentiels de Chanel Fall 2012 Makeup Collection

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One of the high points in a Beauty Editor’s life is the thrill of seeing sleek, shiny and straight-off-the-runway bags of new season makeup goodies sitting on your desk when you walk into office. And personally for me, there is little that gladdens the heart more than the chic interlocked Cs of Chanel, stocked to overflowing with pretty colours and even prettier textures. However, while Peter Philips, the brand’s Global Creative Director for Makeup, has been making huge waves with his covetable nail polishes during the last few seasons, what I have really missed is Dominique Moncourtois‘ so-gorgeous-that-you-can’t-bear-to-use-them palettes – remember the Les 4 Camelias de Chanel or the Les Tentations Tweed Effect Blush? – that are still sitting in my showcase (note, showcase not dressing table – yes, they are that pretty).

Illuminating Powder

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Lumiere D’Artifices Beiges Illuminating Powder with Shimmer

So, it’s really exciting to see Philips go back to that glorious tradition, first with the archive-worthy Poudre Compacte in Route des Indes and now with the Lumiere D’Artifices Beiges Illuminating Powder with Shimmer, which is part of the just released Les Essentiels de Chanel Fall 2012 makeup collection. Though I wouldn’t exactly call it “new”, since Dominique did a very similar sequin-and-thread pattern with gold, silver and white eye shadows back in 2007 (Chanel Lumière d’Artifices Eyeshadow), the Lumiere D’Artifices is definitely going places with its interplay of light and dark beige shades, which blend to create a subtle iridescence that seems to extend the glow of sunny, summery days.

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Chanel Lumière d’Artifices Eyeshadow (2007)

Unfortunately, the shimmer in this illuminating powder is only an overspray, which wears off with just one swipe. The overall effect is pretty but I see it working more for cooler skin tones and still think that the Lumière d’Artifices was more stunning and definitely more collectable where pure gorgeousness is concerned.

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Swatches of the Lumiere D’Artifices Beiges Illuminating Powder with Shimmer

Nail Polishes

Now, what Philips does really, really well is nail polish and the Fall 2012 collection is sure to have another super-hit in the form of Vertigo ($27) – an almost black lacquer with an undertone of shimmery red particles that reveal themselves according to the light. It’s the shade that Jac is wearing in the campaign image and at first glance may seem quite similar to Paradoxal or Black Satin – two of Chanel’s earlier superstars. However, Paradoxal is more purple-ish while Black Satin is, well, just black (check this post by Sabrina from The Beauty Look Book for comparisons with similar colours). Of the other two hues, Frenzy is a milky greige (what’s with all the brands trying to reinvent greige again this season?), with a hint of lavender; while Suspicious is a bright fuchsia red.

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Eye Shadows

Then there is the Chanel Quadra Eye Shadow in Premier Regard ($62) – a beautifully neutral palette with shades of velvety beige, subtly shimmery taupe grey, soft pink and deep black. The shimmer is very subtle, so it’s very wearable all year round and not just for Fall’s party months. All four shades have different textures, ranging from shimmer, completely matte, matte with sparse shimmer to pearly. Plus, there is medium colour pigmentation with buildability, so chances of getting it wrong are pretty non-existent.

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The collection also has a range of single Soft Touch Eyeshadows ($34), which run the gamut from a sheer gold (Eclaire) to a matte black (Noir) – these might be a better bet for darker skin tones, who will find that the soft pink and beige don’t really show up much on their eyelids, making half of the Quadra palette redundant.

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Eye Liners

The Chanel Stylo Yeux Waterproof Long Lasting Eyeliner ($30) in Noir Intense is a darkly pigmented black that’s just soft enough to apply easily without tugging. With black eyeliners it’s a balancing act between the softness that gives greater pigmentation and a harder texture that makes it less prone to smudging – in Noir Intense, Chanel manages to find the perfect equation. However, it’s not a standout performer and I would much rather stick to MAC’s Eye Pencil in Engraved, which is my usual pick for the ultimate sooty black eyeliner. Instead, if I had to pick a liner from this collection, it would be Silver Light, which is a gorgeously shimmery limited edition.

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Blush

The Chanel Powder Blush in Rose Initial ($48) is rosy pink with super-subtle light-reflecting properties. In the pan, it looks bright pink, though on my skin I detected maybe a tiny hint of peach (maybe because of the fine shimmer that gives a glow to the skin). Like most of Chanel’s powder-based products, this one is also perfumed, which doesn’t bother me but might be an issue for someone with a sensitive nose. Texture-wise, this is a powder version, which I prefer to the baked compacts that sort of become too dry over time.

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Lip Colours

Amongst the lip colours, the anchor point is the Rouge Coco Shine lipstick in Chic ($39), which is a sheer beige sheen with fine gold shimmer, while the shimmery Glossimer Lip Gloss in Sweet Beige ($31) is a slightly sugary beige. Another standout is the Rouge Allure Extrait de Gloss ($32) in Troublant – a violet-plum brown shade with a high pigment load for more opaque shine. My favourite, however, is the Rouge Double Intensite Ultra Wear Lip Colour ($34) in Almandine, a red-plum that Jac is wearing in the campaign shoot.

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Rouge Coco Shine lipstick in Chic

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Glossimer Lip Gloss in Sweet Beige

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Rouge Allure Extrait de Gloss in Troublant

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Rouge Double Intensite Ultra Wear Lip Colour in Almandine

Final Thoughts

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The colours and textures are interesting though some of them seem to be rather too heavily inspired by the brand’s past bestsellers and there is an element of playing it safe that underlines all the products. Except for the nail polish in Vertigo and maybe the lip colour in Almandine, there doesn’t seem to be any standout shade for which you wouldn’t find a close enough match in another brand or even in Chanel’s own archives. C’mon Peter! Where are the equivalents of all those gorgeously experimental and thoroughly memorable jades and denims of seasons past????

Chanel’s Bombay Express Makeup Collection 2012

India is clearly taking fashion and beauty centre-stage this season, especially with Chanel’s Bombay Express summer 2012 makeup collection, which is based on the couture house’s pre-fall catwalk collection. Inspired by the sights and delights of Indian festivals, the makeup is replete with the mesmerising beauty of gold and charcoal pigments that are perfect for adding a seductive glow to all skin tones. Prepare to make heads turn!

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Poudre Compacte in Route des Indes de Chanel

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This is the show stopper – a shimmering, lightweight powder that features fine light-reflecting pigments to create a ‘halo-like’ glow and give the complexion a fabulously flawless finish. It can be used over makeup or on bare skin and goes on super-easily with the help of a fluffy brush. I will clearly have to buy two of these: one to use, another to store as the paisley pattern is just too gorgeous to spoil!

Le Vernis in Diwali

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This metallic gold nail polish, which Peter Philips (Chanel’s Creative Director of Makeup), describes as “a homage to the celebration of light that takes place in India”, is luminously glossy, making it the perfect choice for glam summer evenings. As an added bonus, the innovative formula not only promises a rich, long lasting colour but also strengthens and moisturises the nails with every application.

Illusion d’Ombre Long Wear Luminous Eyeshadow in Nirvana

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Sultry, kohl-rimmed eyes have long been a staple of Indian makeup and Peter Philips gives them a modern touch with an intensely pigmented, super-shimmering gel-textured eye shadow titled Nirvana. A little bit of the long lasting charcoal black shade will go a long, long way so start off with a gentle touch, building up the intensity as you go along. For a subtle look, use it to line the eyes; for more drama, cover the entire eyelid.

Joues Contraste Powder Blush in Brume d’Or

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This dusty pink blush is flecked with very fine gold luminescence to create a youthful vibe. It has a silky texture and offers buildable coverage, making it perfect for every mood – right from natural to dramatic.

Rouge Coco Shine in Empreinte

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A look with such dramatic eyes needs a nude lipstick – and Peter Philips comes through with Empreinte, which gives a natural pink-hued shine that complements all skin tones.

 

Jill Stuart recreates the land of fairytales

Have you ever bought a beauty product just because of the pretty packaging and gorgeous textures? Yes? Then you are going to simply love Jill Stuart’s Playful Summer Makeup Collection with its eye shadows that seem to be made up of pure fairy dust; blushes that look like enchanted flowers; lip glosses that seem to be crafted from molten sunshine; and nail polishes that make it seem as if butterflies are playing on your fingertips.

Enough said, I am going to let the pictures do the rest of the talking and you can see why I want it NOW!

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Jill Stuart Mix Blush Compacts

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Jill Stuart Jewel Crystal Eye Palette

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Jill Stuart Nail Lacquer

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Jill Stuart Lip Jewel

Which one is your favourite?