Is your fragrance wrong for you?

Like that statement bag and killer heels, your perfume says a lot about you. However, with the sheer number of options available, choosing a new fragrance might seem like a task that requires an army of professionals. Simply tackle your scent wardrobe with these easy tips.

WHAT’S YOUR STYLE?

how-to-choose-perfumeFirst, you have to decide what you want your scent to say.

  • If you are the sexy and glamorous type who likes to make an immediate impact, opt for a lush, oriental scent with a heavy touch of vanilla (a known aphrodisiac) and patchouli. Judith Leiber Topaz and Gucci Guilty have the right balance of poise and sensuality.
  • Lovers of classic elegance (think Ralph Lauren and Hermès) need a sumptuous, well rounded scent with a bold floral note like violet and iris. Or opt for a fragrance underlined with warm woods and soft leathers. Top picks: Tom Ford Violet Blonde and Hermès Santal Massoia.
  • And then there are the bold trendsetters and risk takers, who live for the latest collections hot off the catwalk. If you fall in this genre, experiment with exotic, intriguing ingredients (such as amber) that are formulated in an intense, attention-getting form. Best options: Balenciaga Paris L’Essence and Tom Ford Amber Absolute. These are definitely not for wallflowers!

So, what are you wearing this weekend?


Muguets for May Day… Courtesy Guerlain

Amongst the many, many enchanting things about France (anyone who knows me, knows that I am an obsessive Francophile!) is the tradition of giving beautiful muguet (lily of the valley) bouquets to loved ones on the first day of May. The tradition began on May 1st, 1561, when King Charles IX of France was presented with muguet flowers as a good luck charm. History does not remember who gave this perfumed gift but the king loved the idea so much that he started presenting muguet bouquets to the ladies of his court on May 1st every year.

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And that’s not all: another ancient European tradition of ”bals de muguet” dances allowed a rare chance for young boys and girls to mingle without having to get parents’ permission (which could be an arduous task in those days). At these dances, the girls would dress in pure virginal white, while the boys would wear a sprig of muguet in their buttonhole.

By the 1900s, it became traditional for French men to present muguet flowers to their sweethearts. Hence, the day came to be affectionately nicknamed La Fête du Muguet (Lily of the Valley Day) even though the official moniker is La Fête du Travail (Labor Day).

Nowadays muguet flowers are not just about romance – they are also given as good luck charms or tokens of appreciation between close friends and family members. And if you want to make this day truly special for someone, Guerlain has the perfect answer: a very limited Muguet 2013 perfume, bottled in a quadrilobé bottle whose design dates from 1908.

The gorgeous flacon is embellished with a delicately embossed paper image created by Créanog, a creative studio specialising in paper sculptures. A spring green thread encircles the bottle, which is further embellished with a golden Guerlain seal. The fragrance itself contains the ‘bright green notes’ of lily of the valley, with added heart notes of rose, jasmine and lilac.

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The cost? $575 / £355 for 60ml.

The exclusivity factor? Guerlain Muguet 2013 is a limited edition of only 1,349 numbered pieces worldwide.

Now, I might not actually be French but my birthday falls just two days after May Day. So, just in case anyone is wondering what to get me for a gift… :)

Guerlain’s new little black fragrance

First there was La Petite Robe Noire EDP. The “little black dress”… translated as a sparkling fragrance by ‘nose alchemist’ Thierry Wasser for Guerlain. Imbued with a radiant breeze of tonka bean, vanilla, iris and patchouli, its first wink revealed an armful of fresh roses, jasmine and orange blossoms. This was followed by juicy cherry, apple and blackcurrant taking centrestage, further refreshed by a shower of explosive, sparkling green notes. Finally, tender musks enveloped you in their silky embrace – eternal and versatile, just like the little black dress.

Then came La Petite Robe Noire EDT – the sprightly little sister to the original EDP. With fresh, green floral notes and white amber, she waltzed with her lover over the Pont des Arts, where romantic trysts are kept safely under lock and key. She went dancing along the bank of the Seine, then swung beneath the Arc de Triomphe, putting every one she passed under her spell. Both sultry and feminine, sweet and light… the scent to wear with a little black dress, jeans or nothing at all.

And now, Thierry Wasser, creator of these delicious perfumes has invited her to go dancing, so that she could reveal a more mischievous, carefree side of her personality. Luckily for us, visual artists Kuntzel+Deygays are at hand to record their serenade across the alternating beats and moods – in a succession of cheeky illustrations that are so frame-worthy. Ooh la la… let the show begin!

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Guerlain L’Heure Bleue. 1912 and 2012.

It was a lonely winter. Everything around me was changing. Every facet of being, every way of living, every manner of thinking. And I did what I normally do in the face of emotional turmoil – I ran, all the way to Rattvik, a tiny hamlet in Sweden, the country of my childhood. There, sitting in absolute silence on a pier that stretches half-a-mile into choppy waters, I was enveloped by the most bewitching “blue hour” – the lustrous sky turning every shade of blue, from chalky turquoise to cobalt as the rain began to fall. I took refuge in a little wooden shed perched at the edge of the pier and it was here, in this melancholic solitude, that I finally found peace. Days later, I was back home, getting married under a very different kind of evening sky – one that was “happy” with dusky pinks and golden oranges – but to me, the defining moment of my life was that abandoned pier in the Northern hemisphere, under whose twilight hour everything came together.

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The pier at Rattvik

A few months later, I was telling my story to a colleague at the French Marie Claire and she brought out a bevelled crystal bottle. It was Guerlain’s L’Heure Bleue and one whiff transported me back to that turbulent winter night. Cool and somber, this was not for Cinderella dancing in glittering shoes with the handsome prince. It was for Catherine as she waited for Heathcliff on the wild, wind-farmed moors, the rain lashing her face and freedom competing with passion. It spoke to my shadowy side: the one that leaves behind cozy winter fires to wander the frozen streets in an unknown city as the mind sorts out its deepest thoughts.

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Vintage advertisements for Guerlain’s L’Heure Bleue

And that’s what I like about this grand fragrance – the fact that it says it’s all right to be uncertain, to be vulnerable, to not know exactly where the journey will take you. Most perfumes are too determinedly – sometimes cloyingly – optimistic. The tales they tell are of confidence, conquest and becoming the centre of the ballroom. But sometimes, I just want to step aside and walk the unrestrained moors, enjoying the starry night and wondering what the future holds. To me, L’Heure Bleue is “quiet”, not sad – in an ephemeral world, it has the audacity to remind us that nothing is eternal.

Many of my friends find L’Heure to be melancholy. Invariably, these are women who love the daytime, the sun, the warmth. I, on the other hand, like the world best between dusk and dawn. Too many sunny days wear me out and strip life of romance. Twilight has been my favourite time of the day since I was a child… if only it lasted longer.

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And it is these fleeting moments of enchantment and mystery… the ‘witching hour between daylight and darkness when the doors of heaven open, magical events take place in forbidden forests and everyone looks a little more beautiful… that bewitched Jacques Guerlain a century back, as he walked along the Seine in Paris. ”I felt something so intense,” he said, “I could only express it in a perfume.” And that’s what he did: created a fragrance whose flickering, emotionally charged notes echo the Impressionists he so admired.

But that’s not the whole story: composed two years before the outbreak of World War I, L’Heure Bleue also brought home the sweetness of a romantic, pre-war Paris, before darkness descended upon the city. In fact, the French expression l’heure bleue refers to Paris immediately prior to the war, which brings me to the second aspect of this perfume – L’Heure Bleue is a story within a story within a story. Sweet, soft and spicy all at the same time, it maintains a beautifully fragile balance, just as the ‘blue hour’ holds together the waning of day’s hopes and the beginning of night’s ambiguity.

Despite the history of melancholy, it opens on a chord of bright notes – the sweetness of orange blossom, rose, violet and neroli offset by the spicy sharpness of carnation, bergamot and aniseed. But its not all light and softness – the flowers are awash with cool shadows and this is where the melancholy romance begins.

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The Seine in Paris during the ‘blue hour’

As it progresses, L’Heure Bleue moves effortlessly from florals to pastries, developing a musky balsamic plushness that’s replete with tonka beans and soft leather. It’s like strolling along the Seine, losing yourself to Paris, when an old world apothecary entices with a whiff of dusky candies and freshly baked almond croissants. You take a seat, indulge in the buttery vanilla flavours and then move on… the sun has dipped below the horizon, the bridges look ghostly in the twilight and the innocent tuberose has been replaced by a temptingly dangerous siren. It’s at this crossroad between the day and the night that you long to have someone by your side… someone to share the magic, someone to spend the night.

The centenary brings two editions, both highly limited

Today, echoes of L’Heure Bleue can be seen in several Guerlain creations like Insolence and Tonka Impériale. The coming month marks its 100th anniversary and it’s only fitting that Guerlain celebrates the centenary of this grand classic with a reinterpretation by Thierry Wasser. Under his leadership, the legendary scent is illuminated with freshness and modernity: the white musk mingles with iris, heliotrope blends with orange blossom to make it more marshmallow-like, and powdery accents hover over the gourmand notes like a veil. However, overall it’s still the same fragrance. And somehow, it all works. Again.

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Guerlain L’Heure Bleue 2012 limited edition coffret

First, there is a a box set featuring a bottle of the regular Parfum along with three new interpretations that symbolise morning, midday and midnight. In the morning, L’Aurore (the Eau de Toilette) is heavily loaded with top notes for freshness. At the stroke of noon, Le Zénith (Eau de Parfum) is made memorable with a confection of orange blossom, iris, vanilla and licorice. Finally, at dusk, Le Crépuscule (Extrait de Parfum) reveals the perfume’s soul and its disturbing secrets, transforming into a smoky-sweet gourmand, with the spicy, velvety flowers taking centrestage. The bottles (30 ml each) come in a blue velvet box decorated with silver pearl embroidery by Lesage Atelier de Broderie and the coffret is priced at 3000 €.

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Guerlain L’Heure Bleue 2012 limited edition

Want a more exquisite collectable? Look for the (490 ml) midnight blue crystal bottle that’s blown, cut, polished and engraved by the artisanal hands at Baccarat, then adorned with violets crafted from molten glass crystal ciselé in 24-carat gold by Gripoix. The effect is of an ornament that twinkles in the dark, showing off the perfumer’s muse: the sky during night-time. The price? 11000 € with the violets; 6500 € without them.

What about you? Have you ever used perfume to celebrate a special occasion or get through a difficult time? Which one would you choose?

Rain-Inspired Perfumes

Living in a city where the sight of rubber dinghies ferrying people across main streets in the monsoon (and not in a romantic, Venice-y way but in a cloudburst-floods-the-roads-and-makes-life-unlivable kind of way), one is not expected to like the rains – at all! In fact, most people spend their entire year planning how they are going to escape the four-month-long Mumbai monsoon.

I, on the other hand love love love love the rains and spend all sunny, shiny non-monsoon days counting down to the dark, grey monsoon days. There is something so magical about the rain – especially as you sit on the edge of the seas, watching the sparkling raindrops fall from the distant skies above onto the sheets of water below. And I love how everything seems so fresh and clean and sparkly – there is quite nothing like the smell of fresh rain on the summer-scorched earth and the sight of stately trees turning green again. As for the jagged flashes of lightning that cut through stormy night skies – neither nature, nor humans have yet to recreate better theatre.

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Unfortunately, those blissful days are still a couple of months away and we still need to get through the scorching summer in the meantime. Which I am going to do by drenching myself in a rain-inspired perfume… if I can’t have the storms and the thunder, at least I can envelop myself in a fragrant cocoon that blocks out the heat.

Guerlain Apres l’Ondee

forest, rain, perfume, fragrance, scent, beauty, monsoon, guerlain, apres l'ondee, rainstorm

Apres l’Ondee, which is French for “After the Rain Shower”, was born in 1906 during the Belle Époque. Which, maybe explains how such a radiant and graceful composition hides the suggestion of a brooding darkness in its opulent layers. After all, this was the time when joie de vivre and an underlying melancholy walked together – an era when the exquisite Sarah Bernhardt lit up the stage and when Paul Cézanne, the father of Modern Art, passed away after being caught in a rainstorm.

With Apres l’Ondee these two conflicting strains come together with the poignant fragility of violet and iris petals weighed down by rain drops, a dew-laden sprig of hawthorn, the gentle caress of vanilla, a soft, peppery hint of anise and carnation… it’s a perfume filled with hope. The hope that after a rain storm, the world will be swept clean and a thousand dreams will finally come together.

Hermès Un Jardin Après la Mousson

forest, rain, perfume, fragrance, scent, beauty, monsoon, rainstorm, hermes, jardin, mousson, kerala

Jean-Claude Ellena, Hermès’ in-house perfumer, drew inspiration from Kerala – one of the most lushly gorgeous regions in India – for Un Jardin Après La Mousson (“Garden After Monsoon”). A delicate, soaring arrangements in cool shades, the sheer, almost-ethereal fragrance opens up on the coolness of cardamom and the crisp fruitiness of watermelon. Then emerge the floral-woody notes of pepper, ginger, ginger flower and vetiver accord, creating an overall impression of a delicately spiced citrus – to visualise, picture a large bowl of sliced watermelons, then add fresh mint, lime juice, freshly powdered cardamom and small slivers of crystallized ginger. Pure bliss!

Kiehl’s Forest Rain

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This spicy, woody perfume takes us to a mountain forest covered in rain with its combination of bitter citruses, lily of the valley, vetiver, cypress and musk. It’s cool, breezy, earthy and sensual – just like the ground surrounding a forest of leafy coniferous trees that’s just been washed by the rains after a long summer.

Demeter’s Thunderstorm

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This is one of those nice boutique-y brands that take a bit of hunting to discover but once you do try it out, you will be hooked for life. Thunderstorm is extraordinarily evocative in its ability to call up a rain storm, complete with the sparkling across-the-sky lightning and humidity hanging heavy in the air. Then comes the aromas that surround you after the storm has passed: Wet leaves, water-soaked earth and a sense of rain drying on a hot pavement. Sometimes life is that simple!

What about you? What’s your favourite monsoon memory?